Sabrina Carpenter “arrested” Gigi Hadid and gave a live debut to ‘House Tour’ at the opening show of the new leg of her tour this week – watch below.
The singer is back on the road with the latest leg of her ‘Short n’ Sweet Tour’ in the US and on Thursday (October 23), she played the first of the new dates at Pittsburgh’s PPG Paints Arena.
As with previous tours, the new shows include a ‘Don’t Touch That Dial!’ segment in which Carpenter chooses a member of the audience to jokingly “arrest” with fluffy pink handcuffs, with previous culprits including Emma Bunton and Millie Bobby Brown, and on this occasion, it was fashion superstar Hadid.
In addition, Carpenter played ‘House Tour’, the penultimate track on her new album ‘Man’s Best Friend’, for the first time ever. Watch footage of both moments here:
Sabrina Carpenter played:
‘Taste’
‘Good Graces’
‘Manchild’
‘Slim Pickins’
‘Tornado Warnings’
‘Lie To Girls’
‘Decode’
‘Bed Chem’
‘Feather’
‘Fast Times’
‘Busy Woman’
‘Sharpest Tool’
‘Opposite’
‘Because I Liked A Boy’
‘Coincidence’
‘Nobody’s Son’
‘House Tour’
‘Nonsense’
‘Dumb & Poetic’
‘Juno’
‘Please Please Please’
‘Tears’
‘Don’t Smile’
‘Espresso’
Carpenter has been busy lately, playing at Austin City Limits, where she was joined by Shania Twain for ‘That Don’t Impress Me Much’, and she also hosted and played live on Saturday Night Live last week (October 18), where she addressed the controversy around the artwork for her new album.
Carpenter has also been announced as one of the headliners of next year’s Coachella alongside Justin Bieber and Karol G. Coachella 2026 will take place between April 10 and 12, and again on April 17 to 19. As for tickets, you’ll be able to get yours here.
‘Man’s Best Friend’ scored a four-star review from NME, with Nick Levine writing: “Musically, this album isn’t markedly different from its predecessor, though it has a few more country-leaning cuts sprinkled among the daytime disco and featherlight funk.
“It also sticks to Carpenter’s winning formula of pairing sticky melodies with pithy lyrics about the flaws and allure of inadequate males. If there were a Bechdel Test for pop albums, ‘Man’s Best Friend’ wouldn’t be in danger of passing it.”
