Electronic duo Maribou State has released a soulful new track titled ‘All I Need’, taken from their upcoming album ‘Hallucinating Love’, and has announced 2025 North American tour dates.
The duo of Chris Davids and Liam Ivory are back with new music, releasing ‘Hallucinating Love’, their first studio album in seven years after a turbulent few years following Davids’ surgery for a rare brain condition.
The new single ‘All I Need’ is a soulful track laced with glitchy electronics and pulled together with a catchy melody. It features vocals from MOBO-nominated artist Andreya Triana. Listen below.
‘Hallucinating Love’ is out via Ninja Tune on January 31. Maribou State has also previewed the record with ‘Otherside’ featuring vocalist Holly Walker.
In February Maribou State will play three sold-out shows at Alexandra Palace to launch the new record. They have now announced a North American tour, taking place from April to May this year and covering cities including Toronto, Seattle, Austin and Vancouver. You can find tickets here.
Maribou State 2025 North American tour dates
APRIL
2 – Commodore Ballroom – Vancouver, BC
3 – Commodore Ballroom – Vancouver, BC
4 – Showbox SODO – Seattle, WA
5 – Roseland Theatre – Portland, OR
23 – The Depot – Salt Lake City, UT
24 – Ogden Theatre – Denver, CO
25 – The Truman – Kansas City, MO
26 – First Avenue – Minneapolis, MN
30 – Concord Music Hall – Chicago, IL
MAY
1 – Majestic Theatre – Detroit, MI
2 – HISTORY – Toronto, ON
3 – Beanfield Theatre – Montreal, QC
7 – Union Transfer – Philadelphia, PA
8 – Royale – Boston, MA
9 – Terminal 5 – New York, NY
10 – 9:30 Club – Washington, DC
14 – Terminal West – Atlanta, GA
16 – Emo’s – Austin, TX
17 – The Echo Lounge – Dallas, TX
‘Hallucinating Love’ is included in NME‘s list of most anticipated albums of 2025 list, alongside upcoming releases from names such as Central Cee, FKA Twigs and The Weeknd.
The album is also set to feature other guests including Andreya Triana, North Downs and Gaidaa.
Speaking about ‘Hallucinating Love’, Chris Davids said: “When we were writing, we were imagining how great it’d feel to finally be back onstage, bringing people together again.” He added the record was “about being in a dark place, a place of struggle, and then looking forward to bright futures.”
“We’ve always been very hidden in the project, and revelled in the ambiguity and anonymity,” continued Liam Ivory. “But as we’ve gotten older, we’ve wanted to show who we are much more. And naturally it made sense to then point towards British dance music culture because it’s something to be really proud of.”
