The Cure have shared a snippet of their menacing new track ‘Drone:NoDrone’ from their forthcoming album ‘Songs Of A Lost World‘.
The snippet of the song that was shared features a heavy and distorted bassline and pounding drums. Describing the track in a five-star review of ‘Songs Of A Lost World‘, NME‘s Andrew Trendell called it “A wailing, noir rocker with a devious earworm chorus that feels like the impish cousin of ‘One Hundred Years’, ‘Burn’ and ‘Killing An Arab’.”
The clip of ‘Drone:NoDrone’ was sent via The Cure’s Whatsapp channel and can be accessed by unlocking this website, which can be done by entering the album’s release date (November 1st, 2024).
Listen to a fan-grabbed screen recording of the new snippet below:
Disponible Preview “Drone:NoDrone”https://t.co/WAmUL9Jyyr#THECUREenARGENTINA #thecure #songsofalostworld #Spotify #MTV #robertsmith pic.twitter.com/F0DM9RdBu3
— The Cure Argentina (@CureenArgentina) October 24, 2024
Elsewhere in the album review, NME shared: “Merciless? Yes, but there’s always enough heart in the darkness and opulence in the sound to hold you and place these songs alongside The Cure’s finest. The frontman [Robert Smith] suggested that another two records may be arriving at some point, but ‘Songs Of A Lost World’ feels sufficient enough for the wait we’ve endured, just for being arguably the most personal album of Smith’s career. Mortality may loom, but there’s colour in the black and flowers on the grave.”
Set for release on November 1 (pre-order here), the record will mark the first from The Cure since 2008’s ‘4:13 Dream’, and it has already been previewed by two singles: ‘Alone’ and ‘A Fragile Thing’.
Previously, in a long-ranging interview filmed by the band for fans in conversation with Matt Everitt (shared via unlocking their ‘Songs Of A Lost World’ website), Smith shared that writing about his brother’s death in the upcoming album helped him “enormously”.
Speaking about how he approached addressing such a personal and emotional topic on ‘I Can Never Say Goodbye’, he explained to Everitt that he decided to tackle it in a simple, narrative way.
“I wrote this song a lot of different ways, until I hit on a very simple narrative of what actually happened on the night he died,” he said. “It went all around the houses and I went everywhere with this song to sum up how I felt. In the end, it turned into a reasonably bleak little vignette.
“I wrote the song about it, and the music itself was what I wanted to breathe. I didn’t want the words to dominate the song, in a way that the music can become a backdrop to what you’re singing. In this, I think the music is more important than what I’m singing in a way. It’s a very difficult song to sing. People say ‘cathartic’ too much, but it was. It allowed me to deal with it, and I think it’s helped me enormously.”
In other The Cure-related news, the band is set to play a special intimate show at the BBC Radio Theatre in London on October 30 ahead of another small gig at the Troxy in the capital on November 1. Fans can watch the latter date via a free global live-stream.
Smith also recently revealed which one of The Cure’s albums is his “least favourite”.
