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HUNTR/X’s ‘Golden’ Claims 17th Week Atop Global Charts; Top 10 Moves for Mariah Carey, RAYE & Olivia Dean

HUNTR/X’s “Golden,” from Netflix’s record-breaking animated movie KPop Demon Hunters, tops the Billboard Global 200 and Billboard Global Excl. U.S. charts for a 17th week each. The song became the first No. 1 on each list for the act, whose music is voiced by EJAE, Audrey Nuna and REI AMI, in July.

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Meanwhile, Mariah Carey’s “All I Want for Christmas Is You” merrily makes its way back to the Global 200’s top 10 (18-6); RAYE adds her second top 10 on the chart with “Where Is My Husband!” (13-7), which also becomes her third top 10 on Global Excl. U.S. (13-5); and Olivia Dean notches her second Global 200 top 10 with “So Easy (To Fall in Love)” (14-8).

The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

“Golden” tops the Global 200 with 102.3 million streams (down 7% week-over-week) and 10,000 sold (down 14%) worldwide in the week ending Nov. 20.

The song has the third-longest command since the Global 200 began in September 2020. “All I Want for Christmas Is You” has ruled for 19 weeks since that December and Lady Gaga and Bruno Mars’ “Die With a Smile” dominated for 18 weeks starting in September 2024.

Taylor Swift’s “The Fate of Ophelia” holds at No. 2 on the Global 200, after two weeks at No. 1 in October; Dean’s “Man I Need” rises a spot to a new No. 3 best; Alex Warren’s “Ordinary” falls 3-4, following 10 weeks on top beginning in May; and Swift’s “Opalite” keeps at No. 5, after hitting No. 2.

“All I Want for Christmas Is You” sleigh-rides 18-6 on the Global 200 with 39.4 million streams (up 28%) and 3,000 sold (up 23%) worldwide.

“Where Is My Husband!” jumps 13-7 on the Global 200, led by 35.1 million streams (up 14%) globally. RAYE earns her second top 10 on the chart, after “Escapism,” featuring 070 Shake, hit No. 7 in January 2023.

Plus, “So Easy (To Fall in Love)” flies 14-8 on the Global 200 (36.1 million streams, up 15%, worldwide). Dean, thus, charts both of her career top 10s on the ranking simultaneously.

“Golden” leads Global Excl. U.S. with 80.1 million streams (down 6%) and 6,000 sold (down 8%) beyond the U.S.

“Golden” ties for the second-longest No. 1 run on Global Excl. U.S., tying “Die With a Smile.” The songs trail only ROSÉ and Bruno Mars’ “APT.,” which led for 19 weeks in 2024 into this year.

“The Fate of Ophelia” repeats at No. 2 on Global Excl. U.S. after two weeks on top in October; “Man I Need” lifts 4-3 for a new high; and “Ordinary” slides 3-4 after eight weeks at No. 1 starting in May.

“Where Is My Husband!” bounds 13-5 on Global Excl. U.S. (28.3 million streams, up 14% outside the U.S.) It’s RAYE’s third top 10 on the chart, after “Escapism” (No. 6, January 2023) and “Prada,” with casso and D-Block Europe (No. 8, October 2023).

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Nov. 29, 2025) will update on Billboard.com tomorrow, Nov. 25. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

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