Drake’s Latest Lawsuit Isn’t Hip-Hop

What is Drake doing?

Tuesday night, Rap Twitter was sent into a frenzy when news of Drake withdrawing his legal action accusing his label UMG and Spotify of using bots and payola to push Kendrick Lamar’s “Not Like Us” diss track to one of the biggest songs in the world. Social media lawyers simultaneously claimed victory and defeat, but little did they know he was clearing the way for something more serious and ridiculous (depending on who you ask). 

Then on Wednesday, news broke that the Toronto superstar decided to file a straight-up defamation lawsuit against his current and longtime parent record company, Universal Music Group. Drake claims UMG benefited and helped promote a “false and malicious narrative” and chose “corporate greed over the safety and well-being of its artists.”

Drake’s lawyers claim the drive-by shooting of one of his security guards outside of his Toronto mansion (a.k.a. “The Embassy”) may be connected to “Not Like Us,” because it happened just days after the song was released. “UMG’s greed yielded real world consequences,” his lawyers wrote. “With the palpable physical threat to Drake’s safety and the bombardment of online harassment, Drake fears for the safety and security of himself, his family, and his friends.”

A few days after the shooting, an intruder was apprehended trying to break into Drake’s residence, and while The Embassy is featured prominently on the cover art for “Not Like Us,” the address is well-known and was the location used for the “Toosie Slide” music video released during the Covid lockdown of 2020, a video that has since racked up close to 400 million views on YouTube. And a week before both incidents at Drake’s crib took place, The Weeknd’s manager Cash’s security guard was also shot in front of his security gate. At the time, many fans speculated both shootings were connected based on the history between the Canadian record labels XO and OVO.

Elsewhere in the filing are less-serious claims if you’re familiar with rap battle etiquette (or lack thereof). Firstly, his lawyers mistakenly say Kendrick grew up in Oakland when they reference the “Not Like Us” line, “I think that Oakland show gon’ be your last stop.” Drake’s lawyers allege that Kendrick was suggesting that Drake “would not make it out alive” if he chooses to perform in the city where the late 2Pac once lived. Drake famously (and notoriously) used an A.I. version of ‘Pac’s voice and told Lamar that he should mention Drake “likin’ young girls.” Secondly, they claim “Not Like Us” actually “alludes to Drake’s Jewish heritage saying that Drake is ‘not a colleague’ but ‘a f—kin’ colonizer,” completely disregarding the bars that preceded those statements that mention his history of aligning himself with artists from Atlanta to allegedly bolster his street credibility.

Drake winning this lawsuit has the potential to change the way diss songs are handled moving forward. Mind you, Drake insinuated that Kendrick’s kids aren’t his and that he has abused the mother of the children — who, according to him, are really the children of his friend and business partner. Kendrick could sue as well if he truly wanted to, but the game isn’t played that way. There are many unwritten rules in hip-hop, and suing over a diss song is one of the 10 Rap Commandments of dos and don’ts.

Ironically, Drake suing over a diss further complicates his relationship with hip-hop culture, making him look like an outsider and *check notes* a colonizer. He can win this lawsuit, but he’s already lost in the court of public opinion. He’s currently doing more damage to his public perception amongst rap fans than “Not Like Us” ever could. Rap music has always been full of hyperbole. Most rap fans don’t take every single lyric literally and Drake, who has said publicly that he “studies rap battles for a living” on LeBron’s talk show The Shop should know that.

To quote one of the great philosophers of our time:

“The streets is the streets, this is industry. N—as wanna bring they lawyers to muthaf—kin’ battles, man. Don’t bring your lawyer, bring your gat or bring your clique, man. So, it’s a big difference… They not ghetto celebrities if they tellin’.”