Clockenflap 2024 Unites East and West with Jack White, Creepy Nuts, and More

In the final week of November, Clockenflap 2024 transformed Hong Kong’s iconic Victoria Harbor into a gathering point for music lovers, blending the city’s history and cultural energy with a lineup that crossed genres and borders.

More than 60,000 fans came together from Nov. 29 to Dec. 1 to witness headliners Jack White, Central Cee, and St. Vincent share the bill with AIR, Creepy Nuts, Glass Animals, as well as a mix of local and international acts. Since its start in 2008 as an indie gathering, Clockenflap has grown into a major international event, attracting world-class artists and fans from all corners of the globe.

Jack White’s closing performance on the Harborflap Stage was nothing short of spectacular as the rocker made his Hong Kong debut. Wasting no time, White dove headfirst into a set that spanned his illustrious career, pulling from his three No. 1 Billboard 200 albums – Blunderbuss, Lazaretto, and Boarding House Reach. Fans erupted as Jack White delivered a throwback with The Raconteurs’ “Steady, As She Goes,” a track penned by White and Brendan Benson that peaked at No. 54 on the Billboard Hot 100 and topped the Alternative Airplay chart (formerly known as Modern Rock Tracks) in 2006.

However, the night undeniably belonged to “Seven Nation Army.” Its iconic riff, chanted in unison by thousands of fans long after White left the stage, echoed across Victoria Harbor, providing a powerful and unforgettable send-off for the festival.

The Hang Seng Stage on Friday night saw the highly-anticipated performance of Creepy Nuts, a Japanese hip-hop unit consisting of R-shitei (R-rated), the first MC in J-rap history to win the country’s top MC battle competition UMB Grand Championship three times consecutively, and DJ Matsunaga, who won the world’s largest DJ competition DMC World DJ Championships in 2019 and performed at the closing ceremony of the 2021 Tokyo Olympics.

The duo’s rapid-fire raps brought a fresh and frenzied energy that had the crowd on their feet. Their viral hit “Bling-Bang-Bang-Born,” featured in season two of the anime Mashle: Magic and Muscles, was an undeniable highlight.

The track’s success includes being ranked first on the Billboard Japan Hot 100 year-end chart for 2024. “Bling-Bang-Bang-Born” extended its record to 14 weeks at No. 1 on the Billboard Japan Hot 100, and topped the Billboard Japan Streaming Songs, Hot Animation, and Download Songs charts for the year. Their latest single, “Otonoke,” added another high point, reaching number one on the Billboard Japan Hot 100 and World Digital Song Sales charts.

In stark musical contrast and framed by the twinkling lights of Hong Kong’s skyline, AIR’s ethereal soundscapes created an unforgettable atmosphere on the Harborflap Stage. The iconic French electronic duo’s set featured the hauntingly beautiful “Highschool Lover” from their acclaimed The Virgin Suicides score. Released in 2000, the soundtrack earned critical acclaim and reached No. 161 on the Billboard 200. The pair also performed fan favorites like the sultry track “Sexy Boy” and the lush “La femme d’argent” from their landmark 1998 debut, Moon Safari.

Central Cee, one of the U.K.’s hottest drill artists, brought the grittiness of tracks like “Doja” and “Sprinter,” turning the tropical night into his own lyrical playground. With peaks of No. 19 and No. 10 on the Billboard Global 200, respectively, he represented a new generation of global artists refusing to be confined by geographic boundaries.

Glass Animals’ “Heat Waves” cascaded across the musical landscape and drew a crowd as they showcased their record-breaking Billboard Hot 100 performance. The track holds the record for the longest-charting song on the Billboard Hot 100, with an unprecedented 91-week run. Its journey to the top was equally remarkable, taking 59 weeks to reach No. 1, the longest climb to the summit in Hot 100 history.

English EDM icon Jamie xx closed the Hang Seng Stage on Clockenflap’s final night with a vibrant set featuring tracks from his acclaimed album In Colour. The album, which debuted at No. 21 on the Billboard 200 and topped the Dance/Electronic Albums chart, sold 19,000 copies in its first week in the U.S. and spent an impressive 70 weeks on the Billboard Top Dance/Electronic Albums chart.

Jamie kicked off his crowd-pleasing set with “Wanna” and “Treat Each Other Right,” blending fan favorites with fresh material. Highlights included “Gosh,” which peaked at No. 16 on the Billboard Hot Dance/Electronic Songs chart, and “Obvs,” alongside newer tracks like “Falling Together” and “All You Children.”

Deep cuts such as “Breather” and “Life” added depth to the performance, while “Loud Places,” which spent nine weeks on the Billboard Dance Singles chart and peaked at No. 17, delivered a euphoric moment for the audience. The set concluded with “Team Closing,” leaving the crowd on an undeniable high and wrapping up the weekend with an uplifting finale to remember.

Over on the Hang Seng Stage, Porter Robinson took the audience on a journey through sound. With “Shelter,” his collaboration with Madeon that peaked at No. 16 on Billboard’s Hot Dance/Electronic Songs chart, and the introspective “Blossom,” which reached No. 46 on the same chart, Robinson wove together emotion and euphoria. The hyperpop star, who was named as one of Billboard’s 21 Under 21 list in 2011, showcased his evolution as an artist, including tracks from his latest album Smile! 😀 which debuted at No. 10 on Billboard’s Top Dance/Electronic Albums chart this year.

St. Vincent again delivered a genre-defying performance that featured fan favorites like “Cheerleader” and “New York” alongside new tracks from her latest album All Born Screaming, such as “Flea” and “Big Time Nothing”. Her crowd dive was a highlight, embodying the energy and unpredictability that define her artistry. Her latest album, All Born Screaming, debuted at No. 86 on the Billboard 200 and No. 13 on the Independent Albums chart. The record has also nabbed four Grammy nominations, including one for Best Alternative Music Album.

Local and regional acts added even more flavor to the weekend. Japanese vocalist yama turned heads on the Park Stage by Martell where she performed “Haru wo Tsugeru,” a track that peaked at No. 7 on the Billboard Japan Hot 100, her voice carrying across the harbor with soulful clarity.

Japanese girl group Sakurazaka46 lit up the Harborflap Stage with their synchronized choreography for “Nobody’s Fault,” a debut single that topped both the Oricon Singles Chart and the Billboard Japan Hot 100, selling over 408,000 copies in its first week.

Australian DJ Partiboi69, renowned for his unique mix of ghetto house, Miami bass, electro, Detroit techno, and ’90s rave sounds, delivered a party-starting set that kept the crowd moving late into the night. His energetic transitions and unexpected track choices had attendees on their feet, while local act Robot Presents Spider Gubbins added a playful twist to the festival’s evening, performing from an inflatable Bowser shell.

Whether it was Japan’s Creepy Nuts delivering sharp-edged hip-hop, the U.K.’s Central Cee infusing the event with gritty drill beats, and France’s AIR captivating the crowd with their ethereal electronic soundscapes, the festival was a showcase of how diverse musical traditions can intersect on a single stage, celebrating the shared language of music in the heart of Hong Kong.

Early bird tickets for Clockenflap 2025 are available here.