This week’s crop of new music features Chase Rice honoring his late father through his new music, while Benjamin Tod teams up with reigning Americana Music Honors & Awards entertainer of the year winner Sierra Ferrell. Meanwhile, “A Lot More Free” hitmaker Max McNown, Ian Munsick, Anna Vaus and more offer new tunes.
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Check out all of these and more in Billboard‘s roundup of the best country songs of the week below.
Chase Rice, “You in ‘85”
Chase Rice may be known for writing and recording bro-country hits such as co-writing Florida Georgia Line’s RIAA-Diamond certified hit “Cruise,” but over his most recent projects, he’s made it clear that bro-country sound represents his past, not his present — as his new music leans toward rootsier, raw-rock driven sounds, trading party anthems for introspective lyrical themes. His newly released album Go Down Singin’ continues to evince his matured songwriting, particularly on “You in ’85,” a song that pays homage to Rice’s late father, serving as both a catalog of memories he has of his father, while also acknowledging the mannerisms they share. “You always said I was gonna look just like you/ Now this man in the mirror’s the proof,” he sings, as his voice conveys a crackling warmth of self-reflection and an easy-going comfortableness with his new sound.
Benjamin Tod feat. Sierra Ferrell, “One Last Time”
As singer-songwriter Tod, the former frontman for the Lost Dog Street Band, gears up for his new solo album Shooting Star (out Oct. 18 on Thirty Tigers), he welcomes reigning Americana Music Honors & Awards winner Sierra Ferrell on this sparse piano arrangement, with gospel music-inflected background harmonies and swaths of steel guitar lending a rustic, elegant aura. “I’m a fool for the darkness and a fiend for the light/ Could you blame me one last time,” they sing, their voices blending sumptuously, while wrapping their distinct drawls around each lyric, drawing out the song’s tension and longing with every vocal inflection. On Shooting Star, Tod dabbles in country music from a span of decades, proving the deep-seated influence of Nashville-area hometown.
Anna Vaus, “Happy Trails”
Southern California native Anna Vaus has put in the work in Music City over the past several years, inking a publishing deal with Big Machine Music and penning songs recorded by Keith Urban, Carly Pearce and others (Vaus also performed with Urban at the 2024 CMT Music Awards). With “Happy Trails,” she issues the lead single from her own debut album, one steeped in the sounds of ’70s Laurel Canyon with a Nashville sense of lyrical detail.
Vaus’ own “Happy Trails” embodies much the same sentiment of the Dale Evans-written, Roy Rogers-performed 1952 classic of the same name, though here, Vaus sings a story close to her own, of wishing the best to a friend who is setting off on a jet plane to chase their dreams in Music City. She employs a classical country construction, detailing simple well-wishes such as warm coffee and flowers growing in a yard, before digging deeper on lines such as “I hope you learn to love the parts of you you hate/ And the things you cannot change ’cause therein liеs the heart.” A solid, promising start from this established songcrafter.
Max McNown, “Snowman”
McNown’s “A Lot More Free” has escalated up the viral charts, and he’s followed with the just-released EP Willfully Blind. “Snowman,” featured on the EP, captures his longing over a once-blazing romance that transformed into the chilliest of receptions whenever he sees his ex. Over polished acoustic production, he considers, “You said goodbye and I said see you round/ Cuz a boy don’t close a book/ Until he knows a story’s done.” McNown wrote “Snowman” with Paul Duncan, Cory Asbury, Paul Mabry and Michael Farren.
Ian Munsick, “Western Woman”
Wyoming-born Munsick earned an RIAA Gold-certified song with his Cody Johnson collaboration “Long Live Cowgirls,” and he reprises that theme on his new solo track, “Western Woman,” which Munsick wrote with Billy Montana and Randy Montana. In his new song, he acknowledges the appeal of the way of life from the coasts, but sings that ultimately, “My kinda darling is grounded as a fence post/ She got wild in her smile, dust on her jeans.” Mandolin playing from Charlie Worsham and fiddle work from Tim Hayes serve to further heighten the song’s Western sound.
Hunter Hayes, “In a Song (Lost & Found)”
Hunter Hayes revisits to his previously-released “In a Song,” originally featured on the Encore edition of his 2011 self-titled album. The new version retains the largely pop sonics, but showcases his matured vocal while still giving the song a youthful, refreshed patina. The song is one of three remixed and remastered renditions of his previously-released songs on his upcoming EP Lost & Found.
